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Cornelis Ketel
Flemish (Resident in UK)
1548-1616 Cornelis or Cornelius Ketel (Gouda, 18 March 1548 ?C Amsterdam, 8 August 1616) was a Dutch Mannerist painter, active in Elizabethan London from 1573 to 1581, and in Amsterdam from 1581 to the early 1600s, now known essentially as a portrait-painter, though he was also a poet and orator, and from 1595 began to sculpt as well.
According to Ketel's biography, written by his contemporary Karel van Mander, he seems to have wanted to concentrate on the most prestigious of the hierarchy of genres, history painting, which included mythological subjects, but after he left France he is known almost entirely as a portrait-painter. Neither England nor Holland had much demand for large history paintings during his lifetime, and none of Ketel's histories or allegorical paintings are known to have survived intact, although drawings and prints survive. He did however significantly influence the development of the largest type of painting commonly produced in the United Provinces at this period, the civic group portrait
Related Paintings of Cornelis Ketel :. | Sir Thomas Cecil | Portrait of a Woman aged 56 in 1594 | Portrait of Jacob Cornelisz Banjaert | Portrait of a Woman | Thomas Pead | Related Artists: Helene SchjerfbeckFinnish Painter, 1862-1946
.Finnish painter. In 1873 she began to study at the Finnish Art Society drawing school in Helsinki. On the death of her father in 1876, she was forced to seek help to finance her studies. In 1877 she went to the private academy of Adolf von Becker (1831-1909) in Helsinki, and her work was first shown in public in 1879. In the autumn of 1880 she went to Paris to study at the Academie Trelat de Vigne under Leon Bonnat and Jean-Leon Gereme and in 1881 moved to the Academie Colarossi, studying under Gustave Courtois ( fl 1852-1908) and Raphael Collin (1850-1916). In Brittany that summer, she painted a large oil, A Boy Feeding his Little Sister John wharlton bunney1828-1882
was an English topographical and landscape artist of the nineteenth century. His father was a merchant captain whom Bunney, as a boy, accompanied on several voyages around the world. Bunney demonstrated a strong talent for drawing and draftsmanship from an early age. The young Bunney became a follower of John Ruskin; he studied with Ruskin at the Working Men's College soon after its founding in 1854, and later worked as a clerk for Smith, Elder & Co., Ruskin's publisher. Bunney was able to give up his clerical job and make his living by his art and art teaching by 1859; Ruskin commissioned him to execute a series of drawings in Italy and Switzerland.Bunney married Elizabeth Fallon in 1863. The couple settled in Florence; they would have four children. Bunney worked for Ruskin's St. George's Company (later the Guild of St George) in northern Italy for the remainder of his life. In his career there, Bunney produced a noteworthy pictorial record of Italy in his era. Ruskin said that Bunney's work was "so faithful and careful as almost to enable the spectator to imagine himself on the spot." Bunney was a friend of many of the Pre-Raphaelites, especially William Holman Hunt. From 1870 on, Bunney lived and painted in Venice. In 1876 Ruskin commissioned Bunney to paint a picture that included the entire western facade of St. Mark's Basilica Antonio da FirenzeItalian Early Renaissance Painter, ca.1445-1510
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All the Edouard Vuillard's Oil Paintings
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